An alternative name is touch-emotion synesthesia and it could also be called texture-emotion synesthesia
Emotion is not normally considered a synesthetic concurrent when it is triggered alone: it is merely a “by-product” accompanying other concurrents such as colour, shapes or tactile sensations. However, a study by Vilayanur S. Ramachandran and David Brang in 2008 addressed two cases where different textures triggered specific, idiosyncratic and highly consistent emotional reactions, which they considered to sufficiently meet the requirements to fit the definition of synesthesia. Two women who had reported these experiences, AW and HS, were given different textures to touch or feel on their skin under laboratory conditions, causing them to show very specific emotions. They said they had felt these emotions all their lives, and they were proven to be consistent when an identical test was run six months later. They were not the typical sensations produced by textures, as some examples were feeling anxiety on touching toothpaste, embarrassment on touching wax, relief on passing their hand over a certain type of sandpaper or laughter on handling a piece of silk.
The authors
of the study suggest that this uncommon phenomenon arises when “associations
that are made fleetingly by all of us become entrenched - automatic or
obligatory - in synesthetes due to a form of 'auto-kindling'”, but they establish
two main criteria for it to be considered synesthesia rather than a mere
cross-modal correspondence: the tactile-emotional connection must be strong and
it must be idiosyncratic, as is the case for the feeling of being “frustrated,
lost and a bit confused” felt by AW when she touches corduroy.
The
following two acounts show striking similarities with the cases in
Ramachandran and Brang’s study and could also be considered cases of
texture-emotion or touch-emotion synesthesia:
“Rocks are
calm/content, paper napkins are skin crawling anxiety, towels are really giddy,
my phone has shpilkes, etc... I get those emotions immediately when I touch
those things and when I see other people touching them. I always have to ask
people to put down napkins because of the effect it has on me. (...)
I’ve had
the same emotional reactions to things since I was little. Some have different
levels of intensity and/or are more complex and difficult to explain than
others, though.”
(Source:
This post and comment on Reddit/Synesthesia. 2020.)
“Textures make emotions. The emotions I feel are not simple. And the longer I touch something, the more it evolves. (...) Immediately, jean makes me feel this mixture of hate and revulsion. If I force myself to continue touching it, I start to feel a weird kind of desperation; like I'm looking for something I can't find.
Everything has a feel. Certain grains of wood (a chair in my living room) make me feel sorrow and loneliness while others (trim on my bathroom wall) make me feel safety and warmth. Some metals feel a sense of cleanliness and satisfaction while others feel anxious, like I forgot something really important.
The touch
part extends to my mouth and, in a weirder way, to my ears as well. The texture
(not taste) of certain foods cause an emotion. For example, the crunchy/chewy
texture of waffles makes me feel this kind of doomed resignation while
waffle-flavored jelly beans don't. I get a similar doomed resignation from
lumpy mac and cheese.”
(Source: the defunct website The Experience Project. 2015.)
Go to the page Is emotion a synesthetic concurrent?
This is the first time I’ve ever been quoted in an article like this! XD
ReplyDeleteI might have this but probably not. Paper and metal textures make me feel calm and happy, but not really because of the texture. While I do find the textures fairly satisfying and good, the real reason why I like them is because of the colors they make me see. I have a similar experience with my keyboard since the color is so unpleasant, and I have even resorted to typing with the tips of my fingernails sometimes, to avoid my vision being clouded with barf green so much I can barely see the thing I'm typing.
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